Kurt Weill - Periodical articles.

Albright, Daniel. "Kurt Weill as Modernist," Modernism/Modernity, 
vol. 7, no. 2, 273-284.

Drew, David. Der Weg derVerheissung: Weill at the Crossroads" 
Tempo: A Quarterly Review of Modern Music, Apr 1999, no. 208, 33-50.

Gresham, W.Jonathan. "Observations About Form and Style in Kurt 
Weill's Vom Tod im Wald," Journal of Band Research, vol. 33, no. 2, 
14-32.

Feingold, Michael. "The Weill Party: The 20th Century's Most 
Influential Composer Turns 100," The Village Voice, 14 Mar 2000, 
60, 62.

Hinton, Stephen. "Emigration and Self-discovery," Hindemith-Jahrbuch/
Annales Hindemith, vol. 27 (1998), 12-24.

Kolwalke, Kim H. " Kurt Weill, Modernism, and Popular Culture: 
÷ffentlichkeit als Stil," Modernism/Modernity, vol. 2, no. 1, 27-69.

"The Kurt Weill Edition: A Timeline," Notes: Quarterly Journal of the 
Music Library Association,  vol. 56, no. 2, 344-346.

Marx, Robert. "Split personality," Opera News," vol. 60, no. 6, 16-22, 
72.

Schubert, Giselher and Edward Harsh. "On the Principles of the Kurt 
Weill Edition," Notes: Quarterly Journal of the Music Library 
Association, vol. 56, no. 2, 340-343.

Sheppard, W.Anthony. Revealing Masks: Exotic Influences and Ritualized 
Performance in Modernist Theater, Series: California Studies in 20th-
Century Music, xv, 350 p.


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