Rhythm - selected bibliography


Agawu, V. Kofi (Victor Kofi). African rhythm: a Northern Ewe
perspective. Cambridge; New York: Cambridge University Press. 1995.

Anshel, Mark H. The effect of music and rhythm on the ability to endure
a physical task. Montrial, Que.: Anshel. 1978.

Arom, Simha. African polyphony and polyrhythm: musical structure and 
methodology. 1991.

Austin, Mary Hunter, 1868-1934. The American rhythm. New York:
Harcourt. 1923.

Barry, Barbara R. Musical time: the sense of order. Stuyvesant, NY: 
Pendragon Press. 1990. 

Bode, Rudolf, 1881. Musik und Bewegung. Kassel, Bdrenreiter-Verlag.
1930. 

Cogan, Robert and Pozzi Escot.  Sonic Design.  Englewood Cliffs:      
Prentice-Hall, 1976.

Cooper, Grovsvner and Leonard Meyer. The Rhythmic Structure of Music. 
Chicago: University of Chicago Press. 1960.

Cowell, Henry.  New Musical Resources.  New York:  Alfred A. Knopf, 1930.

Creston, Paul, 1906. Principles of rhythm. New York, F. Columbo. 1964.
 
Damschroder, David Allen. The structural foundations of "the music of 
the future" : a...1981.

Driver, Ann. Music and movement. London, Oxford university press, H.
Milford. 1936.        

Epstein, David, 1930. Shaping time: music, the brain, and performance.
New York: Schirmer Books; London: Prentice Hall International. 1995.

Franz, Frederick. Metronome techniques; being a very brief account of the 
history and use of the metronome with many practical... 1947.

Gillingham, Bryan. Modal rhythm. Ottawa, Canada: Institute of Mediaeval
Music. 1986.       

Graziano, John Michael. A theory of accent in tonal music of the 
classic-romantic period. 1975.       

Hauptmann, Moritz, 1792-1868. The nature of harmony and metre. New  
York: Da Capo Press. 1991. 

Houle, George. Meter in music, 1600-1800: performance, perception, and
notation. Bloomington: Indiana University Press. 1987.

Houle, George. The musical measure as discussed by theorists from 1650
to 1800 [microform]. 1961. 

Hudson, Richard, 1924. Stolen time: the history of tempo rubato.
Oxford: Clarendon Press; New York: Oxford University Press. 1994.

Jaques-Dalcroze, Emile, 1865-1950. The eurhythmics of Jaques-Dalcroze. 
London, Constable & Company Ltd. 1912.

Jaques-Dalcroze, Emile, 1865-1950. Eurhythmics, art and education. New 
York, Barnes. 1930.

Komar, Arthur J. Theory of suspensions; a study of metrical and pitch 
relations in tonal music. 1971.     

Kramer, J. The Time of Music: new meanings, new temporalities, new 
listening strategies. New York: Schirmer, 1988.

LaRue, Jan. Guidelines for style analysis.1970.

Lester, Joel. Analytic approaches to twentieth-century music.1989.

Lester, Joel. The rhythms of tonal music. Carbondale: Southern Illinois
University Press. 1986.

Lipps, Theodor, 1851-1914. Consonance and dissonance in music. San 
Marino, CA: Everett Books. 1995. 

Mason, R. M. (Robert Marion), 1928-. Modern methods of music analysis 
using computers. 1985.

Mead, Rita H. "Latin American Accents in New Music." Latin American Music
Review 3 (Fall/Winter 1982): 206-232.

Morgan, Robert P. The delayed structural downbeat and its effect on the 
tonal... diss.1969.

The New worlds of Edgard Varese: a symposium. Brooklyn: Institute for 
Studies in American Music, Department of Music, School. 1979.

Patterson, Franklin P., 1871. How to write a good tune: a treatise. New
York: G. Schirmer. 1925.   

Patterson, William Morrison, 1880. The rhythm of prose: an experimental
investigation of individual difference in the sense of rhythm. 1964.

Perkins, Marion Louise, 1927. Changing concepts of rhythm in the romantic 
era; a study of rhythmic structure, theory and...1976.

Psychology and music: the understanding of melody and rhythm. Hillsdale, 
N.J.: L. Erlbaum. 1993.
        
Rahn, Jay, 1947-. A theory for all music : problems and solutions in 
the anal...1983.

Ratner, Leonard G. The musical experience: sound, movement, and 
arrival.1983.

Read, Gardner, 1913. Modern rhythmic notation. Bloomington: Indiana    
University Press. 1978.

Rothstein, William Nathan. Phrase rhythm in tonal music. New York,
N.Y.: Schirmer Books. 1989.

Sachs, Curt, 1881-1959. Rhythm and tempo; a study in music history.
[1st ed.]. New York, Norton. 1953.                
               
Schillinger, Joseph. 1895-1943. Encyclopedia of Rhythms. NY: Da Capo 
Press, 1976.

Schonberg, Arnold. Style and Idea: Selected Writings of Arnold Schonberg.
ed by Leonard Stein. New York: St. Martins Press, 1975.

Shaughnessy, Ed. The new time signatures in jazz drumming. New York, 
N.Y.: H. Adler; Belwin Mills Pub. Corp. 1966.

Sheldon, Deborah A., 1958-. The effects of aural, visual, and motoric cues 
on accuracy and latency of tempo modulation discrimination among 
musicians and nonmusicians. Thesis (Ph. D.)--Florida State University, 
1991.

Simms, Bryan R. Music of the twentieth century: style and structure. 
1986.

Smither, Howard E. Theories of rhythm in the nineteenth and twentieth
centuries with a contribution to the theory of rhythm for the... 1961.

Tenney, James. Meta+hodos: a phenomenology of 20th-century musical 
material. 1988.

Warfield, Gerald. Layer analysis : a primer of elementary tonal 
structures. 1976. 

Wedge, George Anson. Rhythm in music, a text-book. New York, G.      
Schirmer, inc. 1927. 
             
Winick, Sammuel. Rhythm: An Annotated Bibliography. Metuchen, NJ: Scarecrow
Press, 1974. A comprehensive text covering the years 1900-1972, divided
into three sections: background, psychology, and pedagogy (of rhythm).

Yeston, Murray. The Stratification of Musical Rhythm. New Haven: Yale 
University Press. 1974.

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