Steve Reich - compositions



Principal publishers; Boosey & Hawkes, Reich Music, Universal



Composition followed by instrumentation, date of completion, and location

and date of first performance.



PITCH CHARTS, any instruments, (1963)



PLASTIC HAIRCUT, film score, tape, (1963) unpublished; (San Francisco,

November 1963)



MUSIC FOR THREE OR MORE PIANOS OR PIANO AND TAPE, (1964) unpublished; (San

Francisco, January 1965)



IT'S GONNA RAIN, tape, (1965) (San Francisco, January 1965)



OH DEM WATERMELONS, film score, five voices and piano, (1965) unpublished;

(San Francisco, May 1965)



COME OUT, tape, (1966) (New York, 1966)



MELODICA, tape, (1966) (New York, June 1966)



REED PHASE, soprano saxophone and tape, (1966) unpublished; (New York,

March 1967)



MY NAME IS, three or more tape recorders, performers, audience, (1967) (New

York, November 1967)



PIANO PHASE, two pianos or two marimbas, (1967) (Rutherford, NJ, January

1967)



SLOW MOTION SOUND, tape, (1967) unpublished



VIOLIN PHASE, violin and tape or four violins, (1967) (New York, April

1969)



PENDULUM MUSIC, three or more microphones, amplifiers, loudspeakers, (1968)

(New York, May 1969)



FOUR LOG DRUMS, phase shifting pulse gate, four log drums, (1969)

unpublished; (New York, May 1969)



PULSE MUSIC, phase shifting pulse gate, (1969) unpublished; (New York, May

1969)



FOUR ORGANS, four electric organs and maracas, (1970) (New York, May 1970)



PHASE PATTERNS, four electric organs, (1970) (New York, May 1970)



DRUMMING, two women's voices, piccolo, four pairs tuned bongo drums, three

marimbas, three glockenspiels, (1971) (New York, December 1971)



CLAPPING MUSIC, two performers (1972) (New York, April 1973)



MUSIC FOR MALLET INSTRUMENTS, VOICES, AND ORGAN, three women's voices,

three marimbas, three glockenspiels, vibraphone, electric organ, (1973)

(New York, May 1973)



MUSIC FOR PIECES OF WOOD, five pairs of tuned claves, (1973) (New York,

December 1973)



SIX PIANOS, six pianos, (1973) (New York, May 1973)



MUSIC FOR 18 MUSICIANS, four women's voices, two clarinets, bass clarinet,

three marimbas, two xylophones, vibraphone, four pianos, maracas, violin,

cello, (1976) (New York, April 1976)



MUSIC FOR A LARGE ENSEMBLE, two women's voices, flute, clarinet, two

soprano saxophones, four trumpets, two marimbas, two xylophones,

vibraphone, two pianos, two violins, two violas, two cellos, two double

basses, (1978) (New York, February, 1980)



OCTET, two flutes, two clarinets, two bass clarinets, two pianos, two

violins, viola, cello, (1979) (Frankfurt am Main, Germany, radio broadcast,

June 21, 1979) (revised as Eight Lines for Chamber Orchestra, 1983)

(choreographed by Robbins as Eight Lines, New York, February 1985)



VARIATIONS FOR WINDS, STRINGS, AND KEYBOARDS, three flutes, three oboes,

three trumpets, three tromboes, tuba, two pianos, three electric organs,

strings, (1979) (New York, 1980) (Orchestra version, San Francisco, May

1980)



MY NAME IS, tape, (1980) unpublished; (New York, 1980)



TEHILLIM, three sopranos, one alto, flute, piccolo, oboe, english horn, six

percussionists, two electric organs, strings, (1981) (New York, March 1982)

(Orchestra version, New York, September, 1982)



VERMONT COUNTERPOINT, piccolo, flute, "a" flute, tape, (1982) (Brooklyn,

NY, October 1982) (Version for eleven flutes, New York, December 1983)



THE DESERT MUSIC (W.C. Williams), small chorus, large orchestra (1983)

(Cologne,Germany, March 1984)



SEXTET, four percussionists, two pianos, (1984-1985) (Helsinki, February

1985)



IMPACT, (dance music, L. Dean), (1985) (Brooklyn, NY, October 1985)



NEW YORK COUNTERPOINT, clarinet, bass clarinet, tape, (1985) (New York,

January 1986)



FANFARE SALUTE, (November 1986)



SEXTET/SIX MARIMBAS, (March 1987)



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