Psychology of/or/and music - selected bibliography Barry, Barbara R. Musical time: the sense of order. Stuyvesant, NY: Pendragon Press. 1990. Bent, Ian. "Analysis" in the New Grove Dictionary of Music and Musicians. Blauert, J. Spatial Hearing. MIT Press, 1983. Bolinger, Dwight. Aspects of Language. New York: Harcourt, Brace and World, 1968. Bregman, A. Auditory Scene Analysis: The Perceptual Organization of Sound. MIT Press, 1990. Coker, Cecil, Peter Denes and Elliot Pinson. Speech/Synthesis. Farmingdale NY: Comspace Corp., 1963, 1970. Deutsch, Diana. The Psychology of Music. Academic Press, 1982. Deutsch, Lawrence and Alan Richards. Elementary Hearing Science. Dowling, W. J., and D. L. Harwood. Music Cognition." Academic Press, 1985. Epstein, David, 1930. Shaping time: music, the brain, and performance. New York: Schirmer Books; London: Prentice Hall International. 1995. Flanagan, J. L. Speech Analysis, Synthesis and Perception. 2nd ed. NY: Springer-Verlag, 1972. Handel, S. Listening: An Introduction to the Perception of Auditory Events. MIT Press, 1987. Kramer, J. The Time of Music: new meanings, new temporalities, new listening strategies. New York: Schirmer, 1988. Laske, Otto. Understanding Music with AI. Cambridge, MA: MIT Press, 1992. Lundin, R. W. An Objective Psychology of Music. 2nd ed. NY: The Ronald Press Co., 1967. Manzara, Leonard C., Ian Witten and Mark James. ``On the Entropy of Music: An Experiment with Bach Chorale Melodies.'' Leonardo 2(1): 81-88, 1992. McAdams, S. and I. Deliege, eds. Music and the Cognitive Sciences. Harwood Academic Publishers, 1990. Music and Connectionism. ed. by Peter M. Todd and D. Gareth Loy. Cambridge, MA: MIT Press, 1993. Music and the Cognitive Sciences. Proceedings from the Symposium on Music and the Cognitive Sciences, Paris, 1988. Ed. by Stephen McAdams and Irene Deliege. NY: Harwood Academic Publications, 1989. Music and Psychology, A Mutual Regard. Ed. by Stephen McAdams. NY: Harwood Academic Publishers, 1987. Music and the Brain, ed Critchley M, Henson RA. 1977; Heinemann (London). Music, Mind and Machine. ed. by Peter Desain and Henkjan Honing. Amsterdam, the Netherlands: Thesis Publishers, 1992. Music, Mind and Structure. A Selection of Papers from the 2nd Conference of Science and Music, London, 1987. Ed. by Eric Clarke and Simon Emmercon. NY: Harwood Academic Publications, 1989. Patterson, William Morrison, 1880. The rhythm of prose: an experimental investigation of individual difference in the sense of rhythm. 1964. Plomp, R. and G. F. Smoorenburg, eds. Frequency Analysis and Periodicity Detection in Hearing. Leiden: A. W. Suithoff, 1970. Pribram, K. H. Languages of the Brain. Eng. Cliffs, NJ: Prtentice-Hall, 1971. Psychoanalytic explorations in music. Madison, Conn.: International Universities Press, 1990. On the enjoyment of listening to music (1950) / Heinz Kohut and Siegmund Levarie -- Observations on the psychological functions of music (1957) Heinz Kohut -- Some considerations of a psycholanalytic interpretation of music (1971) / Martin L. Nass -- Freud's theory of jokes and the linear- analytic approach to music: a few points in common (1979) / Daniel Sabbeth -- The development of musical ability (1968) / Pinchas Noy -- Transitional tunes and musical development (1970) / Marjorie McDonald -- A psychoanalyst's view of Clara Schumann (1968) / Anna M. Burton -- Charles and George Ives : the veneration of boyhood (1981) / Stuart Feder. On hearing and inspiration in the composition of music (1975) / Martin L. Nass -- Mourning and memorialization through music (1975) / George Pollock -- From creation in art : an ego psychological approach to creativity (1979) / Pinchas Noy -- The nostalgia of Charles Ives : an essay in affects and music (1981) / Stuart Feder -- The development of creative imagination in composers (1984) / Martin L. Nass -- On Beethoven's deafness (1978) / Maynard Solomon -- Johannes Brahms : music, loneliness, and altruism (1985) / Peter Ostwald -- Mourning through music : Gustav Mahler (1974) / George Pollock -- Gustav Mahler : the music of fratricide (1981) / Stuart Feder. Mozart : a study in genius (1951) / Aaron H. Esman -- Mozart's Zoroastran riddles (1985) / Maynard Solomon -- Rossini : a psychoanalytic approach to "The great renunciation" (1965) / Daniel W. Schwartz -- Robert Schumann and Clara Wieck : a creative partnership (1985) / Anna M. Burton - - On falling in love : the mystery of Tristan and Isolde (1986) / Richard D. Chessick. Psychology and music: the understanding of melody and rhythm. Hillsdale, N.J.: L. Erlbaum. 1993. Rosenboom, David, ed. Biofeedback and the Arts: Results of Early Experimentation. Vancouver: A.R.C., 1976.. Shannon and Weiner. Information Theory. Sheldon, Deborah A., 1958-. The effects of aural, visual, and motoric cues on accuracy and latency of tempo modulation discrimination among musicians and nonmusicians. Thesis (Ph. D.)--Florida State University, 1991. Sloboda, John. The Musical Mind: The Cognitive Psychology of Music. Sundberg, J., L. Nord, and R. Carlson, eds. Music, Language, Speech, and Brain. MacMillan Press, 1991. Sundberg, J. The Science of Singing Voice. Northern Illinois University Press, 1987. Tobias, J. V. ed. Foundations of Modern Auditory Theory. NY: Academic Press, 1970. von Bekesy, G. Experiments in Hearing. NY: McGraw Hill, 1960. von Helmoltz, H. On the Sensation of Tone as a Psychological Basis for the Theory of Music. NY: Dover, 1954. (orig., 1863). Witten, Ian H., Leonard C. Manzara and Darrell Conklin. ``Comparing Human and Computational Models of Music Prediction.'' Computer Music Journal 18(1): 70-79, 1994. 4/94