Native American Music - articles

Abraham, Otto,and Erich M. von Hornbostel (1906)  Phonographierte 
indianermelodien aus Britisch-Columbia In Boas Anniversary Volume.
BertholdLaufer, ed.  NY: G.E. Stechert, pp. 447-474.

Alexander, H.B. "Indian Songs and English Verse."  American Speech
vol. 1 (1926), pp. 571-575.

Angulo, Jaime de, and Marguerite Beclard d'Harcourt. (1931) La musique 
des indiens de la Californie du Nord.  Journal de la Societe 
des Americanistes de Paris ns 23/1: 189-228.

Barrett, Samuel A.  The Jump Dance at Hupa, 1962. (1963)  Kroeber 
Anthropological Society Papers 23: 73-75.

Brown, Donald Nelson. 1967:  The Distribution of Sound Instruments in 
Prehistoric Southwestern United States.  Ethnomusicology 11/1:71-90.
        
Brown, Donald Nelson. 1971  Ethnomusicology and the Prehistoric Southwest.
Ethnomusicology 14/3:363-78

Cavanagh, Beverley.  1985-86.  Les myths et la musique naskapis.  
Rechrches amerindiennes au quebec   15/4:5-18

Cavanagh, Beverley. 1987.  The Performance of Hymns in Eastern Woodland
Communities.  In Sing Out the Glad News, ed. John Becksith, pp. 45-56.  
CanMus Documents 1.  Toronto: Institute for Canadian Music

Cavanagh, Beverley.1987 Problems in Investigating the History of an 
Oral Tradition: REconciling Different Types of Data about Inuit Drum
Dance Traditions.  Annuario musical (Barcelona) 42:29-51.

Cavanagh, Beverley.1988  The Transmission of Algonkian Indian Hymns:
Between Orality and Literacy. In Musical Canada: Worlds and Music 
Honouring Helmut Kallmann. Ed Beckwith, J. and F. Hall, pp. 3-28 Toronto: 
Univ of Toronto Press.

Conklin. Harold C.  and W.C. Sturtevant  1953.  Seneca Indian Singing 
Tools at Coldspring Longhouse.  Proceedings of the American Philosophical 
Society 97:262-90.

Cringan, Alexander T.  1903   Iroquois Folk Songs.  Annual Archeological 
Report.  Toronto: Ontario Provincial Museum.

Cringan, Alexander T. 1900.  Pagan Dance Songs of the Iroquois.  Annual
Archaeological Report.  Toronto: Ontario Provincial Museum.

Cronk, M. Sam  1988.  Writing While They're Singing:  A Conversation 
about Longhouse Social Dance Songs.  New York Folklore 15/3-4: 49-60.

Densmore, Frances.  "Technique in the Music of the American Indian."
BAE Bulletin #151. 1953.

Densmore, Frances.  "The Use of Meaningless Syllables in Indian 
Songs."  American Anthropologist 45: 160-162. 1943.

Diamond Cavangh, Beverley.  1991.  Christian Hymns in Eastern Woodlands 
Communities: Performance Contexts.  In Musical Repercussions of 1492: 
Explorations, Encounters, and Identities, ed. Carol E. Robertson, pp. 
381-94. Washington: Smithsonian Institution.

Fletcher, Alice C.  "The Study of Indian Music." (1915) Proceedings of 
National Academy of Science 1, p. 231-235.

Frisbie, Charlotte.  1980.  Vocables in Navajo Ceremonial Music.  
Ethnomusicology 24/3:347-92.

Goldschmidt, Walter R. and Harold E. Driver. (1940) " The Hupa White 
Deerskin Dance."  University of California Publications in American 
Archeology and Ethnology 35/8:103-142.

Haefer, J. Richard.  1976  North American IndianMusical Instruments: Some 
Organological Distribution Problems.  Journal of the American Musical 
Instrument Society 14:56-85. 

Hall, Jody C and Bruno Nettl.  "The Musical Style of the Modoc." (1955)
Southwestern Journal of Anthropolgoy 11:58-66.

Hatton, Orin T. We Caused Them to Cry: Power and Performance in 
Gros Ventre War Expedition Songs.  unpublished ms. 1988.

Herzog, George.  "The Yuman Musical Style" (1928) Journal of American 
Folklore 41:183-231.

Herzog, George. (1935) "The Plains Ghost Dance and Great Basin Music."
American Anthropologist 37:403-419.

Herzog, George. (1935) "Special Song Types in North American Indian 
Music." Zeitschrift fur Vergleichended Musikwissenschaft 3:23-33.

Heth, 1980.  Stylistic Similarities in cherokee and Iroquois Music.  
Journal of Cherokee Studies 4:128-62.

Heth. ed., 1992.  Native American Dance: Ceremonies and Social Traditions.  
Washington: National Museum of the American Indian, Smithsonian 
Institution with Starwood Publishing, Inc. 

Hultkranz, Ake. (1897) "Indian Songs."  Century Magazine 47, 421-431.

Keeling, R.H. (1982) "The 'Sobbing' Quality in a Hupa Brush Dance Song."
American Indian Culture and Research Journal 6/1: 25-41.

Keeling, R.H. (1985) "Contrast of Song Performance Style as a Function 
of Sex Role Polarity in the Hupa Brush Dance."  Ethnomusicology 29/2: 
185-212.

Keeling, R.H. (1989) "Musical Evidence of Female Spiritual Life Among 
the Yurok."  In Women in North American Indian Music: Six Essays, R. 
Keeling, ed.  Special Monograph 6, Blomington, Ind: Society for 
Ethnomusicology: 67-78.

Kurath, Gertrude P. 1964.  Iroquois Music and Cand: Ceremonial ARts of 
Two Seneca Longhouses.  Bulletin 187.  Washington: Bureau of American 
Ethnology.

Kurath, Gertrude P. 1951  Local Diversity in Iroquois Music and Dance.
In Symposium on Local Diversity in Iroquois Culture, ed.  William N. 
Fenton.  Bulletin 149, Washington, Bureau of American Ethnology.

McAllester, David.  1956  An Apache Fiddler.  Ethnomusicology Newsletter 
8:1-5.

Nettl, Bruno. 1969  Musical Areas Reconsidered: A Critique of North 
American Indian Research.  In Essays in Musicology in Honour of Dragan 
Plamenad, ed. G. Reese and R.J. Snow.  Pittsburgh: U of Pittsburgh Press.

Obomsawin, Alanis.  1977.  Sounds and Voices from Our People.  In Sontes, 
Bones and Skin: Ritual and Shamanic Art, pp. 49-57.  Toronto: The Society 
for Art Publications.

Parthun, Paul.  1978.  Conceptualization of Traditional Music among the 
Ojibwe of Manitoba and Minnesota.  Anthropological Journal of Canada 
16/3:27-32.

Powers, William K.  1980.  Oglala Song Terminology.  Selected Reports in 
Ethnomusicology 3/2:23-41.

Preston,m Richard.  1985-86.  Transformations musicales et culturelles 
chez les Cris de l"Est.  Recherches amerindiennes au Quebec 15/4:19-28.

Rhodes, Willard [1952] 1967  Acculturation in North American Indian 
Music.  In International Congress of Americanists, Proceedings of the 
19th Congress, ed. Sol Tax.  New York: Cooper Square Publications.

Robins, R.H. and Norma McLeod. (1956) Five Yurok Songs: A Musical and 
Textual Analysis.  Bulletin of the School of Oriental and African STudies 
of the University of London 18: 592-09.

Shaw, Anna Moore. (1926) "Songs of the Indians."  American Mercury 7:
65-68.

Spitall, William Guy.  1961.  A Brief Note on Iroquois Musical Instruments.
American Indian Tradition 7/4:137.

Stumpf, Carl. (1892) "Phonographierte Indianermelodien." 
Vierteljahrschrift fur Musikwissenschaft 8: 127-144.

Turner, Lucien M.  1888.  The Single-headed Drum of the Naskopie 
(Nagnagnot) Indians, Ungava District, Hudson Bay Territory.  Proceedings 
of the United States National Museum 11: 434-44.

Vennum, Thomas Jr. Songs of Love, Luck, Animals, and Magic: Music of the 
Yurok and Tolowa Indians. Ethnomusicology 23/2: 349-352. 1979. (Review 
of Heth recording of the same name, NW 297, 1978)

Voegelin, Erminie W.  1943.  Shawnee Musical Instruments.  American 
Antrhopologist ns. 44:463-75

Walker, J.R. (1917) "The Sun Dance and other Ceremonies of the Oglala 
Division of the Teton Dakota."  The American Museum of Natural History 
26/11.

Wallace, William J.  (1978) "Music and Musical Instruments." In Handbook of 
North American Indians vol 8: California.  R.F. Heizer, ed.  Washington: 
Smithsonian, pp. 642-648.

Whidden, Lynn.  1983.  The Evolution of a Powwow Drum.  Troubadour 
6/3:7-9.

Whidden, Lynn. 1984-86.  Les huymnes, une anomalie parmi les chants 
traditionnels des Cris du Nord.  Recherches amerindiennes au Quebec 
15/4:29-36.

Woodruff, Charles E.  (1892) "Dances of the Hupa Indians."  American 
Anthropologist 5/1: 53-61.

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