Otto Luening - music books



Appleton, Jon H. and Ronald C. Perera. The Development and Practice of

Electronic Music. Englewood Cliffs: Prentice-Hall, Inc., 1975.



Babbitt, Milton. Stephen Dembski and Joseph N. Straus, eds. Words About

Music. Madison: University of Wisconson Press, 1987.



Backus, John. The Acoustical Foundations of Music. New York: W. W.

Norton, 1969.



Bateman, Wayne. Introduction to Computer Music. New York: John Wiley and

Sons, 1980.



Battier, Marc and Barry Truax, eds. Computer Music, Composition Musicale

par Ordinateur, Report on an International Project Including a Workshop at

Aarhus, Denmark in 1978. Ottawa: Canadian Commission for UNESCO, 1978.



Beauchamp, James and Heinz von Foerster, eds. Music by Computers. New

York: John Wiley and Sons, 1969.



Beckwith, John and Udo Kasemets. The Modern Composer and His World.

Toronto: University of Toronto Press, 1961.



Bolinger, Dwight. Aspects of Language. New York: Harcourt, Brace and

World, 1968.



Cage, John. Silence. Middletown: Wesleyan University Press, 1961.



Chamberlin, Hal. Musical Applications of Micro Processors. New Jersey:

Hayden Book Company, 1980.



Clough, Rosa Trillo. Futrurism. New York: Philosophical Library, 1961.



Cope, David. New Music Composition. New York: Schirmer Books, 1977.



Cope, David. New Directions in Music- 1950 to 1970. 3d ed. Dubuque:

William C. Brown Company Publishers, 1981.



Darter, Tom. Greg Armbruster, ed. The Art of Electronic Music. New York:

Quill, 1984.



Dennis, Brian. Experimental Music in Schools. London: Oxford University

Press, 1970.



Deutsch, Herbert A. Synthesis: An Introduction to the History, Theory, and

Practice of Electronic Music. New York: Alfred Publishing Company, Inc.,

1976.



Douglas, Alan. Electronic Music Production. London: Pitman, 1977.



Emmerson, Simon,ed. The Language of Electroacoustic Music. New York:

Harwood Academic Publishers, 1986.



Ernst, David. Musique Concrete. Boston: Crescendo, 1972.



Ernst, David. The Evolution of Electronic Music. New York: Schirmer

Books, 1977.



Ewen, David. Composers of Tommorrow's Music. New York: Dodd, Mead and

Company, 1971.



Griffiths, Paul. A Guide to Electronic Music. London: Thames and Hudson,

1979.



Heifetz, Robin Julian, ed. On the Wires of Our Nerves: the Art of

Electroacoustic Music. Lewisburg: Bucknell University Press, 1989.



Heilinheimo, Seppo. The Electronic Music Of Karlheinz Stockhausen.

Translated by Brad Absetz. Helsinki: Acta Musicologia Fennica, 1972.



Hiller, Lejaren and Leonard M. Issacson. Experimental Music. New York:

McGraw-Hill. 1959.



Hines, Robert Stephan, ed. Essays on Twentieth-Century Music by Those Who

Wrote It. Norman: University of Oklahoma Press, 1970.



Howe, Hubert. Electronic Music Synthesis. New York: W. W. Norton and

Company, 1975.



Judd, Frederick C. Electronic Music and Musique Concrete. England:

Neville Spearman, 1961.



Judd, Frederick C. Electronics in Music. England: Neville Spearman, 1972.

Kaegi, Werner. Was ist electronische Musik? Basel: Orell FÅssli, 1967.



Keane, David. Tape Music Composition. New York: Oxford University Press,

1981.



Kirby, Micheal. Futurist Performance. New York: E. P. Dutton, 1971.



Lincoln, Harry B, ed. The Computer and Music. New York: Cornell

University Press, 1970.



Manning, Peter. Electronic and Computer Music. Oxford: Clarendon Press,

1985.



Melby, Carol. Computer Music Compositions of the United States 1976.

Virginia: Theodore Front, 1976.



Nyman, Michael.  Experimental Music: Cage and Beyond. London: Schirmer

and Sons, 1981.



Olson, Harry F. Music, Physics and Engineering. New York: Dover Press,

1967.



Pellegrino, Ronald. The Electronic Arts of Sound and Light. New York: Van

Nostrand Reinhold Company, 1983.



Roads, Curtis and John Strawn, eds. Foundations of Computer Music.

Cambridge: M.I.T. Press, 1985.



Russcol, Herbert. The Liberation of sound: An Introduction to Electronic

Music. Englewood Cliffs: Prentice-Hall, Inc., 1972.



Russolo, Luigi. The Art of Noise. Translated by Robert Filliou. New York:

Something Else Press, 1967.



Schafer, R. Murray. Ear Cleaning. Toronto: BMI Canada, 1967.



Schafer, R. Murray. The Tuning of the World. Philidelphia: University of

Pennsylvania Press, 1980.



Schaeffer, Pierre. Traite des objets musicaux. Paris: Editions du Seuil,

1966.



Schaeffer, Pierre. Musique Concrete. Paris: Presses Universitaires de

France, 1967.



Schrader, Barry. Introduction to Electro-Acoustic Music. Englewood

Cliffs: Prentice-Hall, 1982.



Schwartz, Elliot and Barney Childs, eds. Contemporary Composers on

Contemporary Music. New York: Holt, Reinhart and Winston, 1967.



Sear, Walter. A Guide to Electronic Music and Synthesizers. London:

Omnibus, 1977.



Strange, Allen. Electronic Music. Dubuque: William C. Brown, 1972.



Trythall, Gilbert. Principles and Practice of Electronic Music. New York:

Grosset and Dunlap, 1973.



Wells, Thomas H. The Technique of Electronic Music. New York: Schirmer,

1981.



Xenakis, Iannis. Formalized Music. Bloomington: Indiana University Press,

1971.



Young, Gayle. The Sackbut Blues: Hugh LeCaine, Pioneer in Electronic

Music. Ottawa: D. W. Friesen and Sons Ltd., 1989.



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