Scott Joplin: Journal and Periodical Articles

Anderson, G. B. "Extraordinary Ragtime: Sunflower Records 501."
American Music 3/1, (1985): 113-115.

Anon. "From Riches to Ragtime." The Economist 348/8081 (15 Aug.
1998), pp. 52-3.

Bell, I. A. "Just Before Jazz: Black Musical Theatre in New York,
1890-1915." Theatre Research International 16/1 (1991): 66-67.

Bennighof, James. "Heliotrope Bouquet and the Critical Analysis of
American Music." American Music vol. 10 (Winter 1992): 391-410.

Berlin, Edward A. "On Ragtime: Understanding the Language." CBMR
Digest, 3/3 (Fall 1990), pp. 6-7.

Berlin, Edward A. "On the Trail of a Guest of Honor: In Search of
Scott Joplin's Lost Opera." In A Celebration of American Music: Words
and Music in Honor of H. Wiley Hitchcock, ed. Richard Crawford, et
al, 51-65. Ann Arbor: University of Michigan Press, 1990.

Berlin, Edward A. "Scott Joplin In Sedalia: New Perspectives. Black
Music Research Journal 9, no. 2 (1989): 205-223.

Berlin, Edward A. "Scott Joplin's Treemonisha Years." American Music
9/3 (fall 1991): 260-276.

Berlin, Edward A. "That American Rag: The Story of Ragtime from Coast
to Coast." American Music 19, no. 4 (winter 2001): 474-476.

Blesh, Rudi. "Scott Joplin: Black-American Classicist." In Scott
Joplin: Collected Piano Works, xiii-xl. New York: New York Public
Library, 1971.

Cardell V. "Crazy for Ragtime: Total Joplin: The complete works of
Scott Joplin." Notes 54, no. 2 (DEC 1997), pp. 533-536.

Carew, Roy. "Ragtime." Playback, ii (July 1949), p. 6.

Carew, Roy and Don E. Fowler. "Scott Joplin: Overlooked Genius."
Record Changer (Sept. 1944), pp. 12-14, 59; (Oct. 1944), 10-12; (Dec.
1944), pp. 10-11.

Charters, Ann. "Treemonisha." Jazz Monthly (Aug. 1962), 7-11.

Cheien, G. "Joplin 'Easy Winners' And Other Ragtime Music on
EMI/Angel CDC 7-47170-2." Fanfare: The Magazine For Serious Record
Collectors 9/4 (1986), p. 173.

Danko, Harold. "How-to columns/Solo Piano: A Whole Century of Vibrant
Keyboard Music, and It Started with Ragtime." Keyboard (March 1999),
pp. 130-131.

Dawson, A. B. "'Ragtime' and the Movies: The Aura of the Duplicable."
Mosaic: A Journal for the Interdisciplinary Study of Literature 16,
no. 1-2 (1983): 205-214.

Delerma, Dominique-Rene. "A Musical and Sociological Review of Scott
Joplin's 'Treemonisha.'" Black Music Research Journal 10/1 (1990):
153-159. Reprinted from Black Music Research Newsletter 5, (spring
1982), pp 1, 9-11.

Dickinson, P. "Review of Reflections And Research On Ragtime by
Edward A. Berlin." Music & Letters 69/4 (1988): 545-546.

Dingus, Anne. "Scott Joplin." Texas Monthly 27/1 (Jan. 1999), p. 204.

Driscoll, F. P. "American Anthem: From Ragtime to Art Song." Opera
News 64/3 (Sept. 1999), p. 98.

Floyd, S. A. and M. J. Reisser. "Social Dance Music of Black
Composers in the 19th-Century and the Emergence of Classic Ragtime."
Black Perspective In Music 8/2 (1980): 161-193.

Fox, Charles. "Gentrification." New Statesman vol. 111 (25 Apr.
1986), pp. 31-32.

Johnson, Phil. "Out of Africa." New Statesman 128/4447 (2 Aug. 1999), p. 32.

Lipskin, Mike. "Return of Ragtime: Joshua Rifkin Interviewed." Jazz
and Pop 10 (May 1971), pp. 30-31.

Lipskin, Mike. "Scott Joplin Piano Rags." Jazz and Pop 10 (April 1971), p. 50.

McGinty, B. "The King Of Ragtime." American History Illustrated 19/3
(1984), pp. 10-17.

Moynahan, J. "Ragtime to Swing." Saturday Evening Post 209 (13 Feb.
1937), p. 14.

Muller, B. Review of "Mayerl, 'Honky-Tonk, Slow Fox-Trot'; Gershwin,
'Rialto Ripples Rag'; Johnson, 'Carolina Shout, Fast Jump'; Joplin,
'The Entertainer Ragtime Two-Step', 'Antoinette, March And Two-Step',
'Magnetic Rag', 'Maple Leaf Rag', 'Elite Syncopations', 'Strenuous
Life, Ragtime Two-Step', 'Stop Time', 'Bethena, Concert Waltz' on EMI
1c-065-4346." Neue Zeitschrift f¸r Musik 144/6 (1983): 42.

Peterson, W. "Overmyer: 'The Heliotrope Bouquet By Scott Joplin And
Louis Chauvin.'" Theatre Journal 44/3 (Oct. 1992): 403-404.

Piccirilli, D. Review of "In Tune with Ragtime by C. Matz." Clavier
39/8 (Oct. 2000), p. 39.

Postgate, J. "Black Bottom Stomp: Eight Masters of Ragtime and Early
Jazz." The Times Literary Supplement no. 5191 (27 Sept. 2002), p. 20.

Preston, K.K. "Creole Belles: Music in New Orleans from Stephen
Foster to Scott Joplin." American Music 4/1 (1986): 121-122.

Rabinowitz, P. J. "Whiting the Wrongs of History: The Resurrection of
Scott Joplin." Black Music Research Journal, 11/2 (fall 1991):
157-176.

Reed, Addison. "Scott Joplin: Questions Remain." Black Music Research
Journal 10/1 (1990): 73-75. Reprinted From Black Music Research
Newsletter 4, (spring, 1981), pp. 3-4.

Rege, Karen. "Ticklers' Secrets: Ragtime Performance Practices,
1900-1920: A Bibliographic Essay." In Perspectives on American Music,
1900-1950. New York: Garland Press, 2000.

Shehan, P. K. "The Riches Of Ragtime." Music Educators Journal 73/3
(1986): 22-25.

Spackman, Stephen. "Passing for Colored: Meanings for Minstrelsy and
Ragtime." Reviews in American History 23/2 (1995): 237-242.

Sullivan, M. H. "The Best of Scott Joplin." Piano & Keyboard no. 208
(Jan.-Feb. 2001), p. 54.

Sullivan, M. H. "Repertoire and Ragtime, Book 2." Piano & Keyboard
208 (Jan.-Feb. 2001), pp. 52-53.

Thacker, E. "Ragtime Roots." Jazz Monthly 19(6 Nov. 1973-4 Dec. 1973).

Thompson, Kay C. "Lottie Joplin." Record Changer 9 (Oct. 1959), p. 8.

Tibbetts, John C. "Ragtime Revival." American Record Guide 56/6,
(November 1993), p. 16.

Tichenor, Trebor Jay. "John Stillwell Stark, Piano Ragtime Publisher:
Readings From The Intermezzo And His Personal Ledgers, 1905-1908."
Black Music Research Journal 9/2 (1989): 193-204.

Walsh, Michael. "American Schubert." Time 144 (19 Sept. 1994), p. 80.

Waterman, Guy. "Ragtime Piano Rolls." Jazz Review (Dec. 1958), p. 42.

Zelis, L. "The Best of Scott Joplin." Clavier 39/5 (May-Jun. 2000), p. 32.



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