Charles Griffes ņ Compositions Compositions are grouped according to type of work and are arranged in chronological order within each group. The author of the song text follows the name of each song. G. Schirmer, Inc. was Griffesí sole publisher from 1909 through 1951. In 1967, C. F. Peters Corp. began a series of issues which has continued to the present day. Charles Scribnerís Sons issued the piano ėLegendî in 1972. Published Works Songs with Piano Accompaniment To German Texts Five German Poems, c. 1905-09, published 1909 ėAuf dem Teich, dem regungslosenî (Nikolaus Lenau; high or medium voice) ėAuf geheimem Waldespfadeî (Lenau; medium voice) ėNacht liegt auf den fremden Wegenî (Heinrich Heine; low voice) ėDer tr”umende Seeî (Julius Mosen; high voice) ėWohl lag ich einst in Gram und Schmerzî (Emanuel Geibel; high voice) Zwei K–nige sassen auf Orkadal,î c. 1905-10; published 1910 (Geibel; low voice) ėK–nntí ich mit dir dort oben gehn,î c. 1905-11; published 1941 (Mosen; high voice) ėAuf ihrem Grab,î c. 1905-11; published 1941 (Heine; high or medium voice) ėElfe,î c. 1905-11; published 1941 (Joseph von Eichendorff; high voice) Four German Songs, c. 1905-11; published 1970 ėAm Kreuzweg wird begrabenî (Heine; medium voice) ėAn den Windî (Lenau; medium voice) ėMeeresstilleî (Johann Wolfgang von Goethe; medium or low voice) ėSo haltí ich endlich dich umfangenî (Geibel; high voice) ėNachtlied,î 1912; published 1984 (Geibel; high voice) To English Texts Tone-Images for a Mezzo-Soprano Voice, op. 3; published 1915 ėLa Fuite de la Lune,î sketched October 29, 1912 (Oscar Wilde) ėSymphony in Yellow,î c. 1912 (Wilde) ėWeíll to the woods and gather may,î begun May 15, 1914 (William Ernest Henley, first line translated from Charles díOrlČans) Two Rondels for a Soprano Voice, Op. 4; published 1915 ėThis Book of Hours,î before May 9, 1914 (Walter Crane) ėCome, Love, across the sunlit Land,î before May 9, 1914 (Clinton Scollard) Five Poems of Ancient China and Japan for Medium Voice, Op. 10; published 1917 (reprinted in 1945 as Five Poems of the Ancient Far East) ėSo-fei Gathering Flowers,î April 26-27, 1917 (Wang Chang-Ling, translated from the Chinese by Charles Budd) ėLandscape,î September 1916 (Sada-Ihe, translated from the Japanese by Laurence Binyon) ėThe Old Temple among the Mountains,î November 7, 1916 (Chang Wen- Chang, translated from the Chinese by Budd) ėTears,î November 1916 (Wang Seng-Ju, translated from the Chinese by Mancelot A Cranmer-Byng) ėA Feast of Lanterns,î August-September 1917 (Yuan Mei, translated from the Chinese by Cranmer-Byng) Three Poems, Op. 9; published 1918 ėIn a Myrtle Shade,î March 5, 1916 (William Blake; high voice) ėWaikiki,î April 23, 1916 (Rupert Brooke; high voice) ėPhantoms,î March 10-12, revised April 25, 1916 (Arturo Giovannitti; medium voice) Three Poems by Fiona Macleod, Op. 11; published 1918 (William Sharp; high voice) ėThe Lament of Ian the Proud,î May 1918 ėThy Dark Eyes to Mine,î May 6, 1918 ėThe Rose of the Night,î January 15, 1918 Two Poems by John Masefield for Medium Voice; published 1920 ėAn Old Song Re-Sung,î July 1918 ėSorrow of Mydath,î December 1917 ėThe Half-ring Moon,î before March 25, 1912; published 1941 (John B. Tabb; medium voice) ėThe First Snowfall,î before March 25, 1912; published 1941 (Tabb; medium voice) ėEvening Song,î before March 25, revised July 11, 1912; published 1941 (Sidney Lanier; high voice) Four Impressions; published 1970 (Wilde; tenor or soprano) ėLe Jardin,î finished October 14, 1915 ėImpression du matin,î November 4-5, 1915 ėLa Mer,î sketched October 29, 1912 ėLe RČveillon,î begun December 17, 1914 ėSong of the Dagger,î 1912 (ėAlmost finishedî January 27, 1916); published 1984 (Rumanian folk song from The Bard of the Dimbovitza, translated by Carmen Sylva and Alma Strettell; medium male voice) Choral Music ėThese Things Shall Be,î 1916; published 1917 (John Addington Symonds; unison chorus) Piano Solos Three Tone-Pictures, Op. 5; published 1915 ėThe Lake at Evening,î 1910 ėThe Vale of Dreams,î 1912 ėThe Night Winds,î 1911, revised May 16, 1912, and February 5, 1915 Fantasy Pieces, Op. 6; published 1915 Barcarolle, 1912 Notturno, begun January 24, copying begun January 27, 1915 Scherzo, 1913, revised January 20, 1915 Roman Sketches, Op. 7; published 1917 ėThe White Peacock,î May 30-June 8, 1915 ėNightfall,î finished May 23, 1916 ėThe Fountain of the Acqua Paola,î May 27-June 6, 1916 ėClouds,î May 24-26, 1916 Six Short Pieces, 1918 (by ėArthur Tomlinson,î pseudonym) March Dance-Song Marching Song Evening Song Parade March Waltz Six Patriotic Songs, 19218 (by ėArthur Tomlinsonî) ėAmericaî ėYankee Doodleî ėMarching Through Georgiaî ėThe Star-Spangled Bannerî ėThe Red, White, and Blueî ėDixieî Six Bugle-Call Pieces, 1918 (by ėArthur Tomlinsonî) Reveille Taps Adjutantís Call The Generalís March Assembly March To the Colors Six Familiar Songs, arranged for treble clef, 1929; published 1920 (by ėArthur Tomlinson) ėMy Old Kentucky Homeî ėOld Folks at Homeî ėAmericaî Yankee Doodleî ėMaryland, My Marylandî ėThe Old Oaken Bucketî Six Pieces for the Treble Clef, 1919 (by ėArthur Tomlinson); published 1920 (these pieces are individually untitled) Sonata, December 1917-January 1918, revised May 5, 1919; published 1921 Three Preludes (posthumous title), 1919; published 1967 ėLegend, ė June 14-16, 1915; published 1972 ėDe Profundis,î November 18-December 7, 1915; published 1978 Work for Two Pianos Arrangement of Overture to H”nsel und Gretel by Engelbert Humperdinck, 1910 or before; published 1951 Chamber Music Two Sketches for String Quartet Based on Indian Themes; published 1922 Lento e mesto, June 1918 Allegro giocoso, July 1919 Works for Orchestra The Pleasure-Dome of Kubla Khan, Op. 8, 1916-1917; published 1920 (based on an unpublished piano piece of the same title) The Pleasure-Dome of Kubla Khan, Op. 8, ėrevisedî and ėimprovedî by Frederick Stock; published 1929 The White Peacock, finished June 5, 1919; published 1945 (orchestration of the piano piece, Op. 7, No. 1) Works for Solo Instrument and Orchestra Poem for Flute and Orchestra, 1918; published 1951 (Original version) Poem for Flute and Orchestra, 1918; published 1922 (arrangement for flute and piano by Georges BarrËre; edition for violin and piano by Hugo Kortschak) Unpublished Works Songs with Piano Accompaniment To French Texts ėSi mes vers avaient des ailes,î 1901 (Victor Hugo; high voice) ėSur ma lyre, líautre fois,î 1901 (Charles Augustine Sainte-Beuve; high voice) To German Texts ėDas ist ein Brausen und Heulen,î c. 1905-11 (Heine; medium voice) ėWo ich bin, mich rings umdunkelt,î c. 1905-11 (Heine; low voice) ėEntflieh mit mir,î c. 1905-11 (Heine; high voice) ėEs fiel ein Reif,î c. 1905-11 (Heine; high voice) ėMit schwarzen Segeln,î c. 1905-11 (Heine; medium voice) ėDas Grab,î c. 1905-11 (Heine; medium voice) ėDes M¸den Abendlied,î c. 1905-11 (Geibel; medium voice) ėFr¸he,î c. 1905-11 (Eichendorff; high voice) ėDas sterbende Kind,î c. 1905-11 (Geibel; medium voice) ėMein Herz ist wie die dunkle Nacht,î c. 1905-11 (Geibel; medium voice) ėIch weiss nicht, wieís geschieht,î 1912 or before (Geibel; high voice) To English Texts ėThe Water-Lily,î 1911 (Tabb; high voice) ėPhantoms,î c. 1912 (no relation to Op. 9, No. 3) (Tabb; medium voice) ėCleopatra to the Asp,î April 16, 1912 (Tabb; high or medium voice) ėPierrot,î May 6-14, 1912 (Sara Teasdale; high voice) ėTwo Birds Flew into the Sunset Glow,î December 15-16, 1914 (Rumanian folk song from The Bard of the Dimbovitza, translated by Carmen Sylva and Alma Strettell; medium voice) ėLes Ballons,î c. 1912-15 (Wilde; high voice) ėLa Mer,î August 24-25, 1916 (Wilde; high voice) ėIn the Harem,î c. 1916-17 (Chu Chíing-y¸, translated from the Chinese by Herbert A. Giles; medium voice) To Javanese Texts Three Javanese Melodies for High Voice (in the Sudanese language), arranged April 14-May 21, 1919 ėHampelasî ėKinantiî ėDjakoanî Choral Music ėO Haupt voll Blutî (Passionlied f¸nfstimming), 1906; five-part chorus: SSATB Latin text translated into German by Paul Gerhardt (first verse only of text) Melody by Hans Leo Hassler ėLobe den Herren,î 1906; five-part chorus: SSATB Text by Joachim Neander (first verse only) Traditional melody ėDies ist der Tag,î 1906; five-part chorus: SSATB Text by Isaac Watts, derived from Psalm 118, verses 24-26 (first verse only of text) Melody ėBishopthorpeî attributed to Jeremiah Clarke Piano Solos Six Variations in B-flat Major, Op.2, 1898 Four Preludes, Op. 40, 1899-1900 Allegro (in C-sharp minor) Andante (in B minor) Andante cantabile (in A-flat major) Allegretto tranquillo (in F minor) Mazurka, 1899-1900 Sonata in F Minor (two movements), 1904 or before Notturno, 1906 or before Arrangement of ėWiegenliedî by Richard Strauss, 1906 or before (now lost) Sonata in D-flat major (one movement), c. 1909-10 Arrangement of Barcarolle (ėBelle nuitî) from Les Contes díHoffmann by Jacques Offenbach, 1910 or before Sonata in D-flat major (two movements), c. 1911 Piece in B-flat major, c. 1911 The Pleasure-Dome of Kubla Khan, begun by March 11, 1912, with work continuing on various versions through December 5, 1915 Sonata in F-sharp minor (one movement), c. 1912-13 Rhapsody in B minor, c. 1912 Arrangement of ėLes Parfums de la nuitî from Debussyís IbČria, 1915 (now lost) Piece in D minor, 1915 Intermezzo, c. 1915 (now lost) Dance in A minor, completed May 22, 1916 Piece in E major, begun July 11, 1916 Arrangement of Scene 2 of his The Kairn of Koridwen, 1916 Work for Two Pianos Arrangement of his Symphonische Phantasie, 1910 or before Chamber Music Minuet and Trio for String Quartet in B-flat major, 1903 Three Tone-Pictures, arranged for winds and harp from the piano pieces of the same names, Op. 5 ėThe Lake at Evening,î for flute, two oboes, two clarinets in A, two horns in F, two bassoons, and harp, completed in November 1915; harp part added in December 1915 ėThe Vale of Dreams,î for flute, two oboes, two clarinets in B-flat, two horns in F, two bassoons, and harp, December 1915 ėThe Night Winds,î for flute, two oboes, two clarinets in B-flat, two horns in F, two bassoons, and harp, December 1915, revised January 1916 Vivace, or Allegro assai quasi presto, for String Quartet, 1917 Allegro energico ma maestoso, for String Quartet, 1919 Three Tone-Pictures, arranged for piano and double quintet of winds and strings from the piano pieces of the same names, Op. 5, 1919 ėThe Lake at Evening,î for flute, oboe, clarinet in A, horn in F, bassoon, two violins, viola, cello, bass, and piano ėThe Vale of Dreams,î for flute, oboe, clarinet in B-flat, horn in F, bassoon, two violins, viola, cello, bass, and piano ėThe Night Winds,î for flute, oboe, clarinet in B-flat, horn in F, bassoon, two violins, viola, cello, bass, and piano Works for Orchestra Overture, 1905 Symphonische Phantasie, 1907 Notturno f¸r Orchester, 1918 Bacchanale, arranged from the piano Scherzo, Op. 6, No. 3, c. 1919 Nocturne, arranged from the second movement of Sonata for piano, 1919 Clouds, arranged from the piano piece of the same name, Op. 7, No. 4, 1919 Works for Voice and Orchestra Three Poems of Fiona Macleod for a Soprano Voice and Orchestra, Op. 11, 1918 ėThe Lament of Ian the Proudî ėThy Dark Eyes to Mineî ėThe Rose of the Nightî Works for Chamber Orchestra Notturno, for string orchestra, with horn parts sketched in on certain pages, 1906 The Kairn of Koridwen, 1916, for flute, two clarinets in B-flat, two horns in F, harp, celesta, and piano Sho-Jo original scoring (now lost) was for four muted strings, flute, clarinet, oboe, harp, Chinese drum, tam-tam, and two timpani later scoring, enlarged for conventional orchestra, is for two flutes, two oboes, English horn, two clarinets in B-flat, two bassoons, two horns in F, two timpani, tam-tam, Chinese drum, celesta, harp, and strings; finished in 1919 Sakura-Sakura, for flute, clarinet in B-flat, first and second violins, cello, bass, and harp, 1917 or before (arrangement of a Japanese Cherry Dance) Komori Uta, for flute, clarinet, first and second violins, cello, bass, and harp, c. 1917 (arrangement of a Japanese lullaby) Noge No Yama, for flute, clarinet, first and second violins, cello, bass, and harp, c. 1917 (arrangement of a Japanese melody) A Trip to Syria, for flute, clarinet in B-flat, timpani, tam-tam, tambourine, Chinese drums, piano, harp, and strings (without viola); 1917 or before (arrangement, with alterations, of a piano solo by Alexander Maloof) Salut au monde, 1919, for flute, clarinet in B-flat, horns in F, trumpet in F, timpani, drums, harps, and piano (left unfinished, completed by Edmond Rickett) MRP 4/03