George Gershwin - biographical sketch Gershwin, George Jacob [Gershvin] (composer, pianist); 1898-1937. Born 26 Sept. in Brooklyn, New York, 3rd of 4 children, to Moshe Gershovitz and Rose Bruskin. Died 11 July, in Beverly Hills, California. Piano studies with Charles Hambitzer began in 1912 Studied harmony, theory and orchestration from Edward Kinenyi 1917-21. Recipient of Pulitzer Prize (the musical comedy, "Of Thee I Sing"),1931; David Bispham Medal for Opera ("Porgy and Bess"), 1937; elected to Royal Academy of St. Celia in Rome, 1937. Careers as a "song-plugger" for Remick, publishers of popular music, 1914-19; Broadway composer, 1917-35; concert and film music composer, 1924-19. Beginning his career as a Tin Pan Alley composer, Gershwin captured the sprit of the 1920's New York in catchy American folk songs such as "Swannee" (1919). "La La Lucille" (1919) introduced him to the world of Broadway and was followed by "A Dangerous Maid" (1921) and "Our Nell" (1922). With the musical "Lady Be Good" (1924), which includes the hit "Fascinating Rhythm", he and his brother Ira began a lifetime of collaborations. Together they created "Sweet Little Devil" (1924), "Strike Up the Band" (1927; revised 1930), and "Girl Crazy" (1930). For the London stage Gershwin composed "The Rainbow" (1923) and "Primrose" (1924). Film scores began with "Delicious" (1931), and continued with "Shall We Dance" (1937) and "A Damsel in Distress" (1937). Popular music was not the only interest of Gershwin. His piano skills allowed him to accompany recitals of Canadian soprano Eva Gauthier (1923) and Marguerite d'Alvarez (1925). The study of orchestration and theory continued with Wallingford Riegger (late 1920's), Rubin Goldmark (1923), Henry Cowell (1927-29) and Joseph Schillinger (1932-36) and led to an interest in concert music. The "Rhapsody in Blue" (1924) combines elements of jazz and Lisztian Romanticism. The piano "Concerto in F" (1925), and the folk opera "Porgy and Bess" (1935) fuse American elements--ragtime, blues, and jazz--with traditional European forms. TS 29 March, 1995