FOCBIB

Ammer, Christine.  Unsung:  A History of Women in American Music. 
Westport, CT:  Greenwood Press, 1980.  Includes a description of the
compositional output and style as well as biographical information for
Fine, Freer, Glanville-Hicks, Moore, and Smith.

Cohen, Aaron.  International Encyclopedia of Women Composers.  Books in
Music, 1987.  Includes a brief biographical sketch outlining the education,
teaching positions, and awards and other accomplishments of each composer
examined in this paper, as well as a list of works which is substantial but
not complete.  (Due to the scope of the book, there are a few inaccuracies
which require double-checking.)

Epstein, Selma.  A Guide for Researching Music by Women Composers.
Dickeyville, MD:  Chromattica USA, 1990.  Practical guide with addresses of
various organizations, publishers, etc.

Fraiser, Jane.  Women Composers:  A Discography.  Detroit: Information
Coordinators, 1983.    Discography arranged by composer, genre, and
recording company.

Fine, Vivian.  Alcestis (sound recording).  W. Strickland, cond.  1960. 
Composers Recordings Inc., 145.

Fine, Vivian.  Paean (sound recording). V. Fine, cond.  Composers
Recordings Inc., SD 260.  

Fine, Vivian. Missa brevis (sound recording).  Composers Recordings Inc.,
SD 434.

Freer, Eleanor Everest.  Book of Songs, opus 4. Huntsville, TX:  Recital
Publications, 1985.

Freer, Eleanor Everest.  The Legend of the Piper.  Boston:  C. C. Birchard
& Co., 1922.

Freer, Eleanor Everest.  Massimiliano, or The Court Jester, Romantic Opera
in One Act.  Chicago:  Raynem, Dalheim, & Co., 1925.

Glanville-Hicks, Peggy.  "At the Source" in Opera News (December 16, 1961),
pp. 8-13.  In-depth discussion of the materials and concepts behind the
composition of Nausicaa.

Glanville-Hicks, Peggy.  Nausicaa (sound recording).  C. Surinach, cond. 
1960.  Composers Recordings Inc., 175.

Glanville-Hicks, Peggy.  "Technique and Inspiration" in The Juilliard
Review  Illustrates some of the problems facing composers in the twentieth
century:  the need for new musical directions, and the conflict between the
creative personality and the university lifestyle.  Good music is the
product of both technical discipline and the creativity of the subconcious
mind.  Combining these elements is a process which cannot be rushed.

Glanville-Hicks, Peggy.  13 Ways of Looking at a Blackbird.  New York: 
Weintraub Music Co., 1951.

Glanville-Hicks, Peggy.  The Transposed Heads, Opera in Six Scenes.  New
York:  Associated Music Publishers, 1958.

Glanville-Hicks, Peggy.  The Transposed Heads (sound recording).  Moritz
Bomhard, cond.  1953.  Louisville  545-6.

Hayes, Deborah.  Peggy Glanville-Hicks:  A Bio-Bibliography.  New York: 
Greenwood Press, 1990.  A thirty page biography followed by a complete
works list, summary of reviews and other periodical literature, archival
resources by location, and notes on all of Glanville-Hicks own writings in
the Herald Tribune and the Grove Dictionary.

Le Page, Jane Weiner. Women Composers, Conductors, and Musicians of the
Twentieth Century:  Selected Bibliographies, Vol. II.  Metuchen, NJ:  The
Scarecrow Press, Inc., 1983.    Includes one chapter each on Fine,
Glanville-Hicks, and Smith.  Quotes each composer on her life and work. 
Also includes quotes from reviews and a discography.

MacKinnon, Douglas A.  (untitled review of The Transposed Heads).  in Opera
News Vol.  22 (March 3, 1958), p. 26.

McClary, Susan.  Feminine Endings:  Music, Gender, and Sexuality. 
Minneapolis, MN:  University of Minnesota Press, 1991.  A volume of
feminist musical criticism.  Does not mention any of the composers in this
paper, but does explore the distinction between "masculine" and "feminine"
compositional styles which is relevant to my thesis.

Moore, Mary Carr.  David Rizzio, Opera in Two Acts.  Boston:  Da Capo
Press, 1981. 

Mootz, William.  "Louisville Philharmonic Presents Opera Based on Mann
Novel." 

Smith, Catherine Parsons and Cynthia S. Richarson. Mary Carr Moore,
American Composer.  Ann Arbor:  The University of Michigan Press, 1987.  An
extremely well-researched and thorough account of the life and work of Mary
Carr Moore.  Concentrates on the conflict between her personal and
professional life.  Includes a complete catalog of her works.

Smith, Julia.  Daisy, an Opera in Two Acts.  New York:  Mowbray Music
Publishers, 1977.

Smith, Julia.  Daisy (sound recording). C. Rosekrans, cond.  Orion
Recordings, ORS 76248.

Smith, Julia. The Shepherdess and the Chimneysweep, a Christmas Opera in
One Act.  New York:  Mowbray Music Publishers, 1978.

Tick, Judith. "Passed Away Is the Piano Girl:  Changes in American Musical
Life, 1870-1900."  Chap. in Women Making Music, Jane Bowers and Judith
Tick, eds.  Chicago:  University of Illinois Press, 1986. A discussion of
the change in musical opportunities for women in the late nineteenth
century, concentrating on the proliferation of women's orchestras and
sexual aesthetics in composition.

"U. S. Composers Produce and Talk" in Music Magazine (October 1961), pp.
7-8+.  Uncredited interview with Glanville-HIcks and other composers. 
Glanville-Hicks fields questions on problems in modern opera composition
and subsidies for opera companies.

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