Electroacoustic music - books

Adams, Robert Train. Electronic Music Composition for Beginners. Dubuque,
IA: Brown, 1986.

Appleton, Jon H. and Ronald C. Perera. The Development and Practice of
Electronic Music. Englewood Cliffs: Prentice-Hall, Inc., 1975.

The Art of Electronic Music. comp. by Tom Darter (from Keyboard mag, 1975-
83) New York: Quill, 1984.

Babbitt, Milton. Stephen Dembski and Joseph N. Straus, eds. Words About
Music. Madison: University of Wisconson Press, 1987.

Bates, John. The Synthesizer. Oxford, UK: Oxford University Press, 1988.

Beckwith, John and Udo Kasemets. The Modern Composer and His World.
Toronto: University of Toronto Press, 1961.

Born, Georgina. Rationalizing Culture. Berkeley: UCal Press.
an anthropological study of IRCAM 

Chavez, Carlos, 1899. Toward a new music; music and electricity. [1st
ed.]. New York, W. W. Norton & company, inc. 1937. 

Clough, Rosa Trillo. Futrurism. New York: Philosophical Library, 1961.

Composers and the Computer. Curtis Roads, ed. Los Altos, CA: W. Kaufmann,
1985.

Cope, David. New Directions in Music. 5th ed. Dubuque: William C. Brown
Company Publishers, 1991.

Cope, David. New Music Composition. New York: Schirmer Books, 1977.

Cross, Lowell. A Bibliography of Electronic Music. Toronto:
University of Toronto Press, 1967.

Darter, Tom. Greg Armbruster, ed. The Art of Electronic Music. New York:
Quill, 1984.

Davies, Hugh. International Electronic Music Catalog. Cambridge
MA: MIT Press, 1968.

Dennis, Brian. Experimental Music in Schools. London: Oxford University
Press, 1970.

Deutsch, Herbert A. Synthesis: An Introduction to the History, Theory, and
Practice of Electronic Music. New York: Alfred Publishing Company, Inc.,
1976.

Douglas, Alan. Electronic Music Production. London: Pitman Publishing, 1973; 
Blue Ridge Summitt, PA: Tab Books, 1982.

Eaton, M. L. Electronic Music: A Handbook of Sound Synthesis and Control.
Kansas City, MO.: Orcus Publications, 1969.

Eimert, Herbert, and Karlheinz Stockhausen, eds. Die Reihe 1.
orig. 1955. Bryn Mahr, PA: Theodore Presser Co., 1965.

Eimert, Herbert, F. Enkel and Karlheinz Stockhausen. Problems of
Electronic Music Notation. Tr. D. A. Sinclair. Ottawa, Canada,
1956.

Electronic Music Technology. Washington, DC: McGraw-Hill Continuing
Education Center, 1988.

Emmerson, Simon, ed. The Language of Electroacoustic Music. New York:
Harwood Academic Publishers, 1986.

Ernst, David. The Evolution of Electronic Music. New York: Schirmer
Books, 1977.

Ernst, David. Musique Concrete. Boston: Crescendo, 1972.

Ewen, David. Composers of Tommorrow's Music. New York: Dodd, Mead and
Company, 1971.

Griffiths, Paul.  A Guide to Electronic Music.  New York: Thames and
Hudson, 1979.

Heifetz, Robin Julian, ed. On the Wires of Our Nerves: the Art of
Electroacoustic Music. Lewisburg: Bucknell University Press, 1989.

Heilinheimo, Seppo. The Electronic Music Of Karlheinz Stockhausen.
Translated by Brad Absetz. Helsinki: Acta Musicologia Fennica, 1972.

Hiller, Lejaren and Leonard M. Issacson. Experimental Music. New York:
McGraw-Hill. 1959.

Hines, Robert Stephan, ed. Essays on Twentieth-Century Music by Those Who
Wrote It. Norman: University of Oklahoma Press, 1970.

Holmes, Thomas B. Electronic and Experimental Music. New York:
Charles Scribner's Sons, 1985.

Howe, Hubert. Electronic Music Synthesis. NY: WW Norton and Co., 1975.

Judd, Frederick C. Electronic Music and Musique Concrete. England:
Neville Spearman, 1961.

Judd, Frederick C. Electronics in Music. England: Neville Spearman, 1972.

Kaegi, Werner. Was ist electronische Musik? Basel: Orell FÅssli, 1967.

Keane, David. Tape Music Composition. New York: Oxford University Press,
1981.

The Language of Electroacoustic Music. Simon Emmerson, ed. MacMillan Press,
1986.

Landy, Leigh. Experimental Music Notebooks. NY: Harwood Academic Pubs., 
1994.
 
Leitner, Gerhard. Sound: Space. New York: NYU Press, 1978.

Live Electronics. Ed. by Peter Nelson and Stephen Montague. NY: Harwood 
Academic Pubs., 1991.

Luening, Otto. The Odyssey of an American Composer: The Autobiography of
Otto Luening. New York: Charles Scribner's Sons, 1980.

Machine Models of Music from Minsky to Mozart. ed. by Stephan Schwanauer
and David Levitt. Cambridge, MA: MIT Press, 1993.

MacKay, Andy. Electronic Music. Minneapolis, MN: Control Data Publ., 1981.

Manning, Peter. Electronic and Computer Music. Oxford: Clarendon Press,
1985, 1988.

Musical Thought at IRCAM. Ed. by Tod Machover. NY: Harwood Academic 
Publications, 1984.

Nyman, Michael. Experimental Music: Cage and Beyond. London: Schirmer
and Sons, 1981.

Pellegrino, Ronald. The Electronic Arts of Sound and Light. New York: Van
Nostrand Reinhold Company, 1983.

Prieberg, F. K. Musica ex Machina. (in German) Berlin: Verlag
Ullstein, 1960.

Russcol, Herbert. The Liberation of sound: An Introduction to Electronic
Music. Englewood Cliffs: Prentice-Hall, Inc., 1972. New York: Da Capo
Press, 1994.

Russolo, Luigi. The Art of Noise. Translated by Robert Filliou. New York:
Something Else Press, 1967.

Schaffer, Pierre. A la Recherche d'un Musique Concräte. Paris:
Editions du Seuil, 1952.

Schaeffer, Pierre. Traite des objets musicaux. Paris: Editions du Seuil,
1966.

Schaeffer, Pierre. Musique Concrete. Paris: Presses Universitaires de
France, 1967.

Schat, Peter. The Tone Clock. NY: Harwood Academic Publs., 1993.

Schrader, Barry. Introduction to Electro-Acoustic Music. Englewood
Cliffs: Prentice-Hall, 1982.

Schwartz, Elliot. Electronic Music: A Listeners Guide. New York: Praeger
Publishers, 1975. New York: Da Capo Press, 1989.

Stroh, W. M. Zur Sociologie der elektronischen Musik. Zurich:
Amadeus, 1980.

Timbre Composition in Electroacoustic Music. Papers from the Third Science 
and Music Conference, London, 1993. Ed. by Simon Emmerson. NY: Harwood 
Academic Publishers, 1994.

Whitney, John. Digital Harmony. Peterborough, NH: Byte Books,
1980.

Wilkinson, Scott R. Tuning In: Microtonality in Electronic Music.
Milwaukee, WI: Hal Leonard Books, 1988.

Williams, David B., and Peter R. Webster. Experiencing Music Technology: 
Software, Data and Hardware. NY: Schirmer Books.

Xenakis, Iannis. Formalized Music. Bloomington: Indiana University Press,
1971.

Weidenaar, Reynold. Magic Music from the Teleharmonium. Metuchen, NJ: 
Scarecrow Press, 1995.

Xenakis, Iannis. Formalized Music. Bloomington: Indiana
University Press, 1971.

Young, Gayle. The Sackbut Blues: Hugh LeCaine, Pioneer in Electronic
Music. Ottawa: D. W. Friesen and Sons Ltd., 1989.

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