Computer music - books


Abbott, C. ed. Special issue on Computer Music." ACM Computing Surveys,17
(2). New York: ACM Press, 1985.

Baggi, D. ed. Readings in Computer-Generated Music. New York: IEEE Press, 
1992.

Balaban, M. K. Ebcioglu, and O. Laske. Understanding Music with AI: 
Perspectives on Music Cognition. MIT Press, 1992.

Barbaud, P. Initiation a la Composition Musicale Automatique. Paris: 
Edition Dunod, 1966.

Baroni, M., and Callegari, L. eds. Musical Grammars and Computer Analysis. 
Olschki Publishers, 1984.

Bartle, Barton K. Computer software in music and music education: a guide. 
Metuchen, N.J.: Scarecrow Press, 1987.

Bateman, Wayne. Introduction to Computer Music. New York: John Wiley and
Sons, 1980.

Battier, Marc and Barry Truax, eds. Computer Music, Composition Musicale
par Ordinateur, Report on an International Project Including a Workshop at
Aarhus, Denmark in 1978. Ottawa: Canadian Commission for UNESCO, 1978.

Beauchamp, James and Heinz von Foerster, eds. Music by Computers. New
York: John Wiley and Sons, 1969.

Brinkman, A. Pascal Programming For Music Research. University of
Chicago Press, 1990.

Buxton, William, ed. Computer Music 1976/77: A Directory to Current Work.
Ottawa: The Canadian Commission for UNESCO, 1977.

Buxton, W., W. Gaver, and S. Bly. Auditory interfaces: The Use of Non-Speech 
Audio at the Interface. Cambridge University Press, 1993.

The Byte Book of Computer Music. Christopher P. Morgan, ed. Peterborough,
NH: Byte Books, 1979.

Chamberlin, Hal. Musical Applications of Micro Processors. New Jersey:
Hayden Book Company, 1980.

Chowning, John, and D. Bristow. FM Theory and Applications by Musicians for
Musicians. Tokyo: Yamaha Music Foundation, 1986.

Composers and the Computer. Curtis Roads, ed. Los Altos, CA: W. Kaufmann,
1985.

Computer music. ed. Anthony I. Wasserman. New York: ACM, 1985.

Computer Music Association source book: activities and resources in 
computer music. Compiled and edited by Craig R. Harris and Stephen T. 
Pope. San Francisco, CA: The  Computer Music Association, 1987.

Computing in Musicology: A Directory of Research. ed. Walter B. Hewlett 
and Eleanor Selfridge-Field. Menlo Park, CA: Center for Computer Assisted 
Research in the Humanities.

Cope, David. Computers and Musical Style. Madison, WI: A-R Editions, 1991.

Cope, David. New music composition. New York : Schirmer Books, 1977.

Current Directions in Computer Music Research. ed. Max Matthews and John
Pierce. Cambridge, MA: MIT Press.

Davis, Deta S. Computer applications in music: a bibliography. Madison, 
Wisconsin: A-R Editions, 1988.

De Poli, Giovanni, Aldo Piccialli, and Curtis Roads, eds. Representations 
of Musical Signals, MIT Press, 1991.

Desain, Peter, and Henkjan Honing. Music, Mind and Machine: Studies in 
Computer Music, Music Cognition and Artificial Intelligence.

Dodge, Charles and Thomas A. Jerse. Computer Music: synthesis, 
compsition and performance. New York: Schirmer Books, 1985.

Electronic music reports / Institute of Sonology at Utrecht University

Emmerson, S. ed. The Language of Electroacoustic Music. Macmillan, 1986.

Harris, C. R. and S. T. Pope. Computer Music Association Source Book:
Activities and Resources in Computer Music. International Computer Music
Association, 1987.

Haus, G. ed. Music Processing. Madison, Wisconsin: A-R Editions, 1983.

Hewlett, W., and E. Selfridge-Field, eds. Directory of Computer Assisted 
Research in Musicology. Center for Computer Assisted Research in the 
Humanities. (7 volumes), 1985-92.

Howell, R., R. West, and I. Cross. Representing Musical Structure. Academic 
Press, 1991.

Informatique et musique: session musicologique de l'International 
computer music conference organisee par l'equipe ERATTO [a] Paris, IRCAM, 
24 octobre 1984 / [textes reunis et presentes par Helene Charnasse. Ivry-sur-
Seine: Elmeratto, 1988.

Landy, L. What's The Matter with Today's Experimental Music? London: 
Harwood Academic Publishers, 1990.

Lincoln, Harry B, ed. The Computer and Music. New York: Cornell
University Press, 1970.

Machine Models of Music, From Minsky to Mozart. ed. by Stephan 
Schwanauer and David Levitt. Cambridge: MIT Press, 1993.

Manning, Peter. Electronic and Computer Music. Oxford: Clarendon Press,
1985, 1988.

Marsden, A. and A. Pople. Computer Representations and Models in Music. 
Academic Press, 1992.

Mathews, M. V., and J. R. Pierce, eds. Current Directions in Computer
Music Research. MIT Press, 1989.

Mathews, M. V. The Technology of Computer Music. Mit Press, 1969.

Melby, Carol. Computer Music Compositions of the United States 1976.
Virginia: Theodore Front, 1976.

Moore, F. Richard. Elements of Computer Music. Englewood Cliffs, NJ:
Prentice-Hall. 1990.

Morrill, Dexter and Rick Taube. A Little Book of Computer Music
Instruments.

The Music Machine: selected readings from the Computer Music Journal. ed.
Curtis Roads. Cambridge, MA: MIT Press, 1989.

Music, Mind and Structure. A Selection of Papers from the 2nd Conference 
of Science and Music, London, 1987. Ed. by Eric Clarke and Simon Emmercon. 
NY: Harwood Academic Publications, 1989.

Musical Thought at IRCAM. Ed. by Tod Machover. NY: Harwood Academic 
Publications, 1984.

Painter, J et al. eds. Companion to Contemporary Musical Thought. 2v. London: Routledge, 1992. 

Pohlmann, K.  Principles of Digital Audio. Howard W Sams, 1989.

Press, W., et al. Numerical Recipes in C. Cambridge, UK: Cambridge
University Press, 1989.

PROCEEDINGS OF THE INTERNATIONAL COMPUTER MUSIC CONFERENCE, an 
annual volume published by the International Computer Music Association. 
San Francisco: ICMA, 2040 Polk St., Suite 330, San Francisco, CA 94109; USA. 

Representations of Musical Signals. ed. by Giovanni De Poli, Aldo
Piccialla, and Curtis Roads. Cambridge, MA: MIT Press, 1991.

Roads, C. ed. Composers and the Computer. Madison, Wisconsin: A-R Editions, 
1985.

Roads, Curtis. A Computer Music History: musical automation from Antiquity
to the Computer Age.

Roads, Curtis and John Strawn, eds. Foundations of Computer Music.
Cambridge: M.I.T. Press, 1985, 1987.

Roads, C. ed. The Music Machine. MIT Press, 1989.

Rowe, Robert. Interactive Music Systems: machine listening and composing.
Cambridge, MA: MIT Press, 1992.

Synthesizers and Computers. Brent Hurtig, ed. (from Keyboard mag.)
Milwaukee, WI: Hal Leonard, 1985, rev. ed., 1987.

Tarabella, L. Informatica e Musica. Milan: G. E. Jackson, 1992.

Timbre Composition in Electroacoustic Music. Papers from the Third Science 
and Music Conference, London, 1993. Ed. by Simon Emmerson. NY: Harwood 
Academic Publishers, 1994.

Todd, Peter M., and Gareth Loy, eds. Music and Connectionism. MIT Press.

The Well-Tempered Object. comp. and ed. from the Computer Music Journal 
by Stephen Travis Pope. Cambridge, MA: MIT Press, 1991.

Whitney, John. Digital Harmony. Peterborough, NH: Byte Books,
1980.

Williams, David and Peter Webster. Experiencing Music Technology. NY: Schirmer/Macmillan books, 1995.

Winsor, Phil and Gene DeLisa. Computer Music in C. Blue Ridge Summitt, PA:
TAB Books, 1991.

Winsor, Phil. Automated music composition. North Texas Press, 1989.

Winsor, Phil. Computer composer's toolbox. Blue Ridge Summit, PA: 
Windcrest, 1990.

Xenakis, Iannis. Formalized Music. Bloomington: Indiana
University Press, 1971.

Yavelow, C. The Macintosh Music and Sound Bible. IDG Books, 1993.

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