Computers in music - articles

CMJ - Computer Music Journal
ICMC - International Computer Music Conference
ACM - Association of Computing Machinery
Computer  - published by the IEEE Computer Society

Ames, C., 1987, "Automated composition in retrospect", LEONARDO, 
20:2

Ames, C. 1982, Protocol: Motivation, Design and Production of a
Composition for Solo Piano, "Interface", 2:11.

Ames, C., 1983, "Stylistic automa in gradient", CMJ 7:4

Anderson, 	David P. and Ron Kuivila. "Formula: A Programming 
Language for Expressive Computer Music." Computer (Vol 24, #7,  
July, 1991.)

Baggi, Denis L. "Guest Editor's Introduction: Computer Generated 
Music." Computer (Vol 24, #7,  July, 1991.)

Casey, M., 1992, "HS: A symbolic programming language for computer-
assisted composition", Dartmouth College Master's Thesis, Dpt. of Arts 
and Sciences.

Casey, M., 1993, "Review of Computers and Musical Style", Notes 49:3

Chareyron, J. "Digital Synthesis of Self-modifying Waveforms by Means 
of Linear Automata", Computer Music Journal, Vol 14 No. 4, 1990.

Cope, David. "An Expert System for Computer-Assisted Composition." 
Computer Music Journal, 11:4, 1987.

Cope, David. "Recombinant Music: Using the Computer to Explore Musical 
Style." Computer (Vol 24, #7,  July, 1991.)

Dannenberg, Roger B., Christopher Lee Fraley, and Peter Velikonja. "Fugue: 
A Functional Language for Sound Synthesis." Computer (Vol 24, #7,  July, 
1991.)

Johnson, Margaret L. "Toward an Expert System for Expressive Musical 
Performance." Computer (Vol 24, #7,  July, 1991.)

LeBrun, Marc. "A derivation of the Spectrum of FM with a Complex 
Modulating Wave." Computer Music Journal Volume 1, Number 4. 1977, 
pages 51-52. Also in Roads and Strawn, Foundations of Computer Music.

LeBrun, Marc. "Digital Waveshaping Synthesis" Journal of the AES, 27(4), 
1979: 250-266

Loy, G. 1991, Connectionism and Musiconomy, "International Computer
Music Conference Proceedings", CMA, 1991.

Loy, G., 1985, Programming with Computers- a Survey of Some
Compositional Formalisms and Music Programming Languages, in 
"Current Directions in Computer Music Research", ed. Max Matthews 
and John Pierce, Cambridge: MIT press.

Loy, G., 1985, "Programming languages for computer music synthesis,
performance and composition", ACM Surveys 17:2

Moore, F. Richard. "Table Lookup Noise for Sinusoidal Digital Oscillators." 
Computer Music Journal 1, 2 (1977): 26-29. Reprinted in Curtis Roads, 
ed. _Foundations of Computer Music_ (MIT Press, 1985).

Moorer, James A. and Grey, John: "Lexicon of Analyzed Tones"; Computer 
Music Journal, volume 1 Number 2, volume 1 number 3, volume 2 number 
2, volume 2 number 3, and continuing

Moorer, James A. "The synthesis of Complex Audio Spectra by Means of 
Discrete Summation Formulae" Music Department, Stanford U., 1975.

Morita, Hideyuki, Shuji Hashimoto, and Sadamu Ohteru. "A Computer Music 
System that Follows a Human Conductor." Computer (Vol 24, #7,  July, 
1991.)

Roads, C., 1978, "Composing Grammars", CMA Reports, San Francisco, 
CMA.

Roads, C., 1981, "An Intelligent Composer's Assistant", MIT Experimental
Music Studio, Cambridge, Mass.

Roads, C., 1985, "Grammars as Representations for Music", in 
Foundations of Computer Music, J. Strawn, (ed), Cambridge:MIT

Rosenboom, D., and Polansky, L., 1985, "HMSL: A real-time environment
for formal, perceptual, and compositinal experimentation", ICMC 
Proceedings, CMA.

Schottstaedt, W., 1989, Automatic Counterpoint, in "Current Directions
in Computer Music Research", ed. Max Matthews and John Pierce,
Cambridge: MIT press.

Schottstaedt, Bill. "The Simulation of Natural Instrument Tones Using 
Frequency Modulation with a Complex Modulating Wave." Computer Music 
Journal 1, 4 (1977): 46-50. also in: Roads, Curtis and John Strawn, ed.
The Foundations of Computer Music. Cambridge, MA: MIT Press, 1985.

Todd, P., 1989, A Connectionist Approach to Algorithmic Composition,
"Computer Music Journal", 13:4.

Winograd, T., 1968, Linguistics and the Computer Analysis of Tonal
Harmony, "Journal of Music Theory", 12:1.

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