John Cage - books Barber, Llorenc. John Cage. Madrid: Circulo de Bellas Artes, 1985. Bartsch, W. and others. Die unvermeidliche musik des Hohn Cage. Kolb, Switzerland, 1969. The Black Mountain connection: John Cage, Merce Cunningham, Irwin Kremen, M.C. Richards. Tampa Museum of Art, 1992. Bosseur, Jean-Yves. John Cage. Paris: Minerve,1993. Boulez, Pierre, 1925-. Pierre Boulez and John Cage correspondence. Cambridge: Cambridge University Press,1993. Bunger, Richard. The well-prepared piano. 2nd American ed. San Pedro, Calif.: Litoral Arts Press. 1981. Cage. Bratislava: Slovak Music Foundation, Music Information Centre,1992. Cardew, C. Stockhausen Serves Imperialism and Other Articles. London, 1974. Charles, D. Pour les oiseaux. Paris, 1977. En. trans. as "For the Birds. Salem, NH, 1981. Charles, D. Gloses sur John Cage. Paris, 1978. Corbett, John, 1963- . Extended play: sounding off from John Cage to Dr. Funkenstein. Durham: Duke University Press,1994. DeLio, T. Circumscribing the Open Universe: Essays on Cage, Feldman, Wolff, Ashley and Lucier. Washington, DC, 1984. Duckworth, William. Talking music: conversations with John Cage, Philip Glass, Laurie Anderson, and five generations of American experimental composers. New York: London: Schirmer Books; Prentice-Hall International, 1995. Dunn, R., ed. John Cage. New York, 1962. (Annotated catalogue.) Filliou, R. Levren und Lernen als Auffubrungskunste. New York, 1970. Furst-Heidtmann, M. Das praparierte Klavier des john Cage. Regensburg, Germany, 1979. Gagne, C. and T. Caras. Soundpieces: Interviews with American Composers. Metuchen, NJ, 1982. Gena, P. and J. Brent, eds. A John Cage Reader: in Celebration of his 70th Birthday. New York, 1982. Chronological listing of musical works through the summer of 1982: p. 194-200. Griffiths, Paul. Experimental music: Cage and beyond. 1974. Griffiths, Paul. Cage. London and New York: Oxford Univ. Press, 1981. John Cage: composed in America. Chicago: University of Chicago Press,1994. John Cage: an anthology. New York, N.Y.: Da Capo Press. 1991. John Cage at seventy-five. Lewisburg, Pa.: Bucknell University Press; London: Associated University Press,1989. John Cage, anarchic harmony: ein Buch der Frankfurt Feste '92/Alte Oper Frankfurt. Mainz, New York: Schott,1992 John Cage, Dopo di me il silenzio(?). Milano: Emme edizioni, 1978. A John Cage reader: in celebration of his 70th birthday. New York: Peters. 1982. Kostelanetz, Richard. American imaginations: Charles Ives, Gertrude Stein, John Cage, Merce Cunningham, Robert Wilson. Berlin: Merve Verlag, 1983. Kostelanetz, Richard, ed. John Cage. New York, Praeger, 1970. "Told mostly in his [Cage's] own words and writings." Bibliography (incl. Cage's compositions and writings, and discography): p. 211-230. Kostelanetz, Richard. The theatre of mixed-means; an introduction to happenings, kinetic environments, and other mixed-means.1980. Kostelanetz, Richard. John Cage (ex)plain(ed). New York: Schirmer Books,1996. Kostelanetz, Richard. Conversing with Cage. Fourth Limelight Edition April,1994. New York: Limelight Editions,1994 (orig.1987). Kubota, S. Marcel Duchamp and John Cage. New York, 1968. Leonard, George, 1946. Into the light of things: the art of the commonplace from Wordsworth to John Cage. 1994. Les intermittences de la raison : penser Cage, entendre Heid... 1982 Froment Meurice, Marc. Metzger, Heinz-Klaus and Rainer Riehn. "Musik-Konzepte, Sonderband." Munchen: Edition Text u. Kritik, 1978. includes discography. Metzger, H. K. and R. Riehn. John Cage. Munich, 1979. Nyman, Michael. John Cage. 1970 Pritchett, James. The music of John Cage. Cambridge [England]; New York: Cambridge University Press,1993. Revill, David, 1965. The roaring silence: John Cage, a life. 1st U.S. ed. New York: Arcade Pub., 1992. Rich, Alan. American pioneers: Ives to Cage and beyond. London: Phaidon,1995. Thomson, V. "Cage and the Collage of Noises." A Virgil Thomson Reader. Boston, 1981. Tomkins, Calvin, 1925-. A John Cage reader : in celebration of his 70th birthday Tomkins, Calvin, 1925-. The bride and the bachelors; the heretical courtship in modern art. London: Weidenfeld & Nicolson,1965. Zimmermann, W. Desert plants: Conversations with 23 American Musicians. Vancouver, BC: ARC Pubs. 1976. 7/96