Amy Beach ñ Dissertations and Theses

Blunsom, Laurie Katharine.  Gender, Genre and Professionalism:  
The Songs of Clara Rogers, Helen Hopekirk, Amy Beach, Margaret 
Lang and Mabel Daniels (1880-1925).  Ph.D. diss., Brandeis 
University, 1999.

Bracken, Patricia Jean.  A Guide for the Study of Selected Vocal 
Works of Mrs. H.H.A Beach(1867-1944).  DMA diss., Southern Baptist 
Theological Seminary, 1992.

Brittain, Randy Charles.  Festival Jubilate, Op. 17 by Amy Cheney 
Beach:  A Performing Edition.  DMA diss., The University of North 
Carolina at Greensboro, 1994.

Brown, Jeanell Elizabeth Wise.  Amy Beach and her Chamber Music:  
Biography, Documents, Style.  DMA diss., University of Maryland at 
College Park, 1993.

Buchanan, Elizabeth Moore.  The Anthems and Service Music of Amy 
Beach Published By the Arthur P. Schmidt Company.  MA Thesis, The 
American University, 1996.

Burnaman, Stephen Paul.  The Solo Piano Music of Edward MacDowell 
and Mrs. H.H.A Beach:  A Historical Analysis.  DMA diss., University 
of Texas at Austin, 1997.
                               
Clark, Donna Elizabeth Congleton.  Pedagogical Analysis and Sequencing 
of Selected Intermediate-level Solo Piano Compositions of Amy Beach                               
DMA diss., University of South Carolina, 1996

Gardner, Kara Anne.  Living by the ladies' smiles: The Feminization 
of American music and the Modernist Reaction (Amy Beach, Edward 
MacDowell, Charles Ives) Ph.D diss., Stanford University, 1999.

Gates, Eugene Murray.  The Woman Composer Question:  Four case 
studies from the Romantic Era.  Ph.D diss., University of Toronto, 
1992.

Gearheart, Madelyn Spring.  The Life and Solo Vocal Works of Amy Marcy 
Cheney Beach (1867-1944).  Ed.Diss., Columbia University Teachers 
College, 1998.

Hubler, Lyn Helen.  Women Organ Composers from the Middle Ages to the 
Present: With Performance Suggestions for Selected Works.  DMA diss., 
Stanford University, 1983.

Kelton, Mary Katherine.  The Songs of Mrs. H.H.A Beach.  DMA diss., 
The University of Texas at Austin, 1992.                        

Lawhon, Sharon Leding.  A Performerís Guide to Selected Twentieth-
century Sacred Solo Art Songs Composed by Women from the United States. 
DMA diss., Southern Baptist Theological Seminary, 1993.

Miles, Marmaduke Sidney.  The Solo Piano Works of Mrs. H.H.A Beach.  
DMA diss., Peabody Conservatory, 1986.

Piscitelli, Felicia Ann.  The Chamber Music of Mrs. H.H.A Beach.  MM 
Thesis, The University of New Mexico, 1983.

Reigles, Barbara Jean.  The Choral Music of Amy Beach.  Ph.d diss., 
Texas Tech University, 1996.

Rushing, Katrina Carlson.  Amy Beach's Concerto for Piano and 
Orchestra in C-sharp Minor, Op. 45: A historical, stylistic, and 
analytical study.  DMA diss., Louisiana State University, 2002.

Sears, Elizabeth Ann.  The Art Song in Boston, 1880-1914.  Ph.d diss., 
The Catholic University of American, 1993.

Treybig, Carolyn Marie.  Amy Beach: An investigation and analysis of 
the _Theme and Variations for Flute and String Quartet, Op.80._  DMA 
diss., University of Texas at Austin, 1999.

Verissimo, Laurel Keddie.  Amy Beach:  Her Life, Times and Music.   
MA Thesis, San Jose State University, 1993.

Walker, Tammie Leigh.  The _Quintet for Piano and Strings, Op. 67_ by 
Amy Beach: An historical and analytical investigation.  A.Mus.D.  
University of Illinois at Urbana-Champaign, 2001.

Yang, Ching-Lan.  An Analytical Study of the Piano Concerto in C-Sharp 
Minor, Op. 45, by Amy Beach.  D.A. diss., University of Northern 
Colorado, 1999.


LAP (2003)